Pierre Boulez, Pi-hsien Chen's 'Troisième sonate pour piano (1955-57): I Trope - Glose' came out on 2005. With Troisième sonate pour piano (1955-57): I Trope - Glose being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #22. In terms of popularity, Troisième sonate pour piano (1955-57): I Trope - Glose is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Troisième sonate pour piano (1955-57): I Trope - Glose by Pierre Boulez, Pi-hsien Chen having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM | ||
Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld | Gustav Mahler, Thomas Quasthoff, Wiener Philharmoniker, Pierre Boulez | F♯ Major | 1 | 2B | 80 BPM | ||
Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Scherzo | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 128 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) | Claude Debussy, Cleveland Orchestra, Pierre Boulez | B Major | 1 | 1B | 90 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Le marteau sans maître: "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 175 BPM |