"Dido and Aeneas, Z. 626: Dido's Lament (Arr. for Chamber Ensemble)" by Henry Purcell, Klingzeug Barockensemble was released on October 1, 2021. The duration of Dido and Aeneas, Z. 626: Dido's Lament (Arr. for Chamber Ensemble) is about 3 minutes long, at 3:22. Based on our data, "Dido and Aeneas, Z. 626: Dido's Lament (Arr. for Chamber Ensemble)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Klingzeug Barockensemble's "Memento Mori" album is number 10 out of 19. On top of that, Sweden appears to be the country where this track was created. The popularity of Dido and Aeneas, Z. 626: Dido's Lament (Arr. for Chamber Ensemble) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dido and Aeneas, Z. 626: Dido's Lament (Arr. for Chamber Ensemble) by Henry Purcell, Klingzeug Barockensemble to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
The Indian Queen, Z. 630, Act I: Why Should Men Quarrel Here, Where All Possess | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins | B Minor | 0 | 10A | 119 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM |