Anton Webern, Maurizio Pollini's 'Variations for Piano, Op. 27: 3. Ruhig, fließend' came out on January 1, 1995. The duration of Variations for Piano, Op. 27: 3. Ruhig, fließend is about 3 minutes long, at 3:29. Based on our data, "Variations for Piano, Op. 27: 3. Ruhig, fließend" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Stravinsky: Three Dances from Petruschka'/ Prokofiev: Piano Sonata No.7 / Webern: Piano Variations". In this album, this song's track order is #9. Based on our statistics, Variations for Piano, Op. 27: 3. Ruhig, fließend's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Variations for Piano, Op. 27: 3. Ruhig, fließend by Anton Webern, Maurizio Pollini having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): I. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | A♭ Major | 0 | 4B | 105 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM |