"Turangalîla Symphonie: 7. Turangalîla 2" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 7 out of 10. Turangalîla Symphonie: 7. Turangalîla 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 7. Turangalîla 2 by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Nocturne | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Minor | 0 | 4A | 78 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell | E Minor | 1 | 9A | 125 BPM | ||
Clarinet Sonata, FP 184: Allegro con fuoco: Tres anime | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Major | 0 | 9B | 105 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Agon: Pas de quatre | Igor Stravinsky, WDR Sinfonieorchester Köln, Michael Gielen | C Major | 0 | 8B | 137 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Sonata for Clarinet and Piano: I. Grazioso | Leonard Bernstein, Jon Manasse, Jon Nakamatsu | E Minor | 0 | 9A | 102 BPM |