Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth's 'Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #22 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott | Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín | B Minor | 3 | 10A | 92 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" - "Now Cherith's brook is dried up" | Felix Mendelssohn, Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Thomas Allen, John Connell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 108 BPM | ||
Brahm's Lullaby | Cheri Rose Katz | D Minor | 1 | 7A | 112 BPM |