"La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín was released on March 22, 1981. Since La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Bach: La Pasión según San Mateo, BWV 244 (Selección) by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Pasión según San Mateo, BWV 244: No. 39, Erbarme dich, mein Gott by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Flute Concerto in D Major: II. Adagio, piano sempre | Baldassare Galuppi, Giorgio Bernabo, Estro Armonico Orchestra, L', Ezio Mabilia | C Major | 1 | 8B | 93 BPM | ||
Serenade No. 6 in D major, KV 239 "Serenata Notturna": III. Rondo (allegretto) | Wolfgang Amadeus Mozart, Alberto Lizzio, Camerata Academica | G Major | 4 | 9B | 128 BPM | ||
Concerto a 5 in B-Flat Major, Op. 5, No. 1: III. Allegro | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": II. Menuetto dei ciechi | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | A Major | 3 | 11B | 118 BPM |