"Romanian Folk Dances, Sz. 56 (Arr. A.S. Bertrand for Harp): I. Stick Game" by Béla Bartók, Anne-Sophie Bertrand was released on September 16, 2022. With Romanian Folk Dances, Sz. 56 (Arr. A.S. Bertrand for Harp): I. Stick Game being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Transatlantique". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Romanian Folk Dances, Sz. 56 (Arr. A.S. Bertrand for Harp): I. Stick Game is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanian Folk Dances, Sz. 56 (Arr. A.S. Bertrand for Harp): I. Stick Game by Béla Bartók, Anne-Sophie Bertrand having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mourir d’aimer (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Estudios Sencillos: V. Allegretto (Montune) | Leo Brouwer, Andreas Heuser | F Major | 2 | 7B | 112 BPM | ||
A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The three tramps leap out, seize the Mandarin and tear him away from the girl | Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 80 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Luca Delle Donne | F Major | 0 | 7B | 133 BPM | ||
Albumsblade: I. La melanconia | Frederik Rung, Alberto La Rocca | D Major | 2 | 10B | 92 BPM | ||
Valses Poéticos H. 147, DLR 7:8: Preludio: Vivace | Enrique Granados, Xavier De Maistre | A Major | 1 | 11B | 95 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Nyt päivä laskee | Martti Syrjäniemi, SRK Instrumentaali, Mikael Säily, Tommi Tuovinen | E Minor | 1 | 9A | 201 BPM | ||
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | ||
Suite, BB 70, Sz. 62 (Op.14): 3. Allegro molto | Béla Bartók, Zoltán Kocsis | B♭ Major | 2 | 6B | 142 BPM |