Enrique Granados, Xavier De Maistre's 'Valses Poéticos H. 147, DLR 7:8: Preludio: Vivace' came out on April 16, 2010. With Valses Poéticos H. 147, DLR 7:8: Preludio: Vivace being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 19 in Aranjuez by Xavier De Maistre. In terms of popularity, Valses Poéticos H. 147, DLR 7:8: Preludio: Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valses Poéticos H. 147, DLR 7:8: Preludio: Vivace by Enrique Granados, Xavier De Maistre is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. M. Moszkowsky for piano) | George Frideric Handel, Moritz Moszkowski, Roberto Cominati | D Major | 0 | 10B | 70 BPM | ||
Valses poeticos: No. 2. Passionate Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Theme varies et 12 Minuets, Op. 11: Menuet No. 1 | Fernando Sor, John Holmquist | G Major | 1 | 9B | 79 BPM | ||
Vivaldi / Arr. Pujol: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Sharon Isbin, Lawrence Foster, Orchestre de Chambre de Lausanne | B Major | 6 | 1B | 98 BPM |