"Meditation From Thais" by Jules Massenet, Coenraad Bloemendal, Erica Goodman was released on October 9, 2007. With this song being about 5 minutes long, at 4:50, "Meditation From Thais" by Jules Massenet, Coenraad Bloemendal, Erica Goodman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Reflection - Romantic Duets For Cello And Harp". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Meditation From Thais is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Meditation From Thais by Jules Massenet, Coenraad Bloemendal, Erica Goodman having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Massenet: Manon, Act 2 Scene 2: "Je venais d'écrire à mon père" (Des Grieux, Lescaut, Manon, Brétigny) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | B♭ Major | 2 | 6B | 81 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | B Major | 0 | 1B | 75 BPM | ||
Elegie | Jules Massenet, Christian-Pierre La Marca | E Minor | 0 | 9A | 73 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |