"Thais, Act II: Meditation (arr. M.P. Marsick)" by Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó was released on March 15, 1990. With this song being about 5 minutes long, at 5:16, "Thais, Act II: Meditation (arr. M.P. Marsick)" by Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Violin Miniatures by Takako Nishizaki. The song's track number on the album is #13 out of 18 tracks. Thais, Act II: Meditation (arr. M.P. Marsick) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Thais, Act II: Meditation (arr. M.P. Marsick) by Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Thais, Act II: Meditation (arr. M.P. Marsick) being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de Fantaisie, Op. 3: No. 2, Prélude | Vladimir Tropp | D♭ Minor | 0 | 12A | 69 BPM | ||
Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato | Camille Saint-Saëns, Joshua Bell, Jeremy Denk | D Minor | 1 | 7A | 102 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Daniel Hope, Maxim Shostakovich, BBC Symphony Orchestra | D♭ Major | 1 | 3B | 85 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Pascal Rogé | E Minor | 0 | 9A | 61 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Violin Concerto No. 2 in G Major, Op. 13: III. Allegro moderato | Friedrich Seitz, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 114 BPM | ||
タイスの瞑想曲 | Jules Massenet, チー・ユン, 江口玲 | C Major | 2 | 8B | 79 BPM | ||
Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Genadi Cherkasov, Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM |