"Introit, Op. 6" by Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon had its release date on January 15, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 9 out of 19. In terms of popularity, Introit, Op. 6 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introit, Op. 6 by Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
The Tender Land Act II: Finale | Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra | F Major | 1 | 7B | 66 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
The Old Fisherman's Song | Johan Halvorsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 175 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Magnificat, Op. 36 | Gerald Finzi, Simon Ponsford, Jeremy Suppey, The Choir Of Westminster Abbey, James O'Donnell, Daniel Cook | E♭ Major | 2 | 5B | 118 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Serenade, Opus 20: II | Edward Elgar, Paul Goodwin, English Chamber Orchestra | C Major | 0 | 8B | 168 BPM |