On January 1, 2009, the song "Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards" was released by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra. The duration of Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards is about 3 minutes long, at 3:08. Based on our data, "Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra's "Karen Khachaturian: Cipollino" album is number 13 out of 41. In terms of popularity, Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
(Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
Cipollino, Act II Scene 3: Lesson of Dance | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | G Minor | 1 | 6A | 96 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Diversidad | Juan Pablo Fernández Ramos | D Major | 1 | 10B | 96 BPM | ||
Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Symphony No.2 in C Minor, op. 17 " Little Russian " : II. Andantino marciale quasi moderato | Philharmonia Slavonica, Alberto Lizzio | E♭ Major | 0 | 5B | 90 BPM | ||
Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM | ||
La Tempestad, Acto I: Preludio - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera | A♭ Major | 2 | 4B | 102 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 14, Danse de la flûte | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 134 BPM |