Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie's 'Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo' came out on January 1, 2009. Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 2 out of 7 in Berlioz: Symphony Fantastique - Roman Carnival Overture - The Secret Judge Overture by Hector Berlioz, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo by Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op.5 (Grande Messe des Morts): 7. Domine Jesu Christe | Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 0 | 6B | 89 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 131 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM |