Norman Scott's 'A Man and a Woman' came out on 1996. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Norman Scott's "Harmonica Gold" album is number 3 out of 18. On top of that, Australia appears to be the country where this track was created. Based on our statistics, A Man and a Woman's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of A Man and a Woman by Norman Scott to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La Bohème: Oh! - Essa! - Musetta! | Giacomo Puccini, Carlo Bergonzi, Clifford Harvuot, Norman Scott, Mario Sereni, Lorenzo Alvary, Laurel Hurley, Licia Albanese, Thomas Schippers | F♯ Minor | 2 | 11A | 80 BPM | ||
Aida: Danza delle sacerdotesse | Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice | F♯ Major | 2 | 2B | 89 BPM | ||
If You Don't Know Me By Now | Daisy James | B♭ Major | 1 | 6B | 95 BPM | ||
For Once in My Life | Billy Joe Wilson | F♯ Minor | 8 | 11A | 109 BPM | ||
Sorry Seems To Be The Hardest Word - Pan Pipes | The Royal Pan Pipes Orchestra | G Minor | 3 | 6A | 130 BPM | ||
Tannhauser, Act II: Act II: Orchestral Introduction | Richard Wagner, Jerome Hines, Ramon Vinay, George London, Brian Sullivan, Clifford Harvuot, Paul Franke, Norman Scott, Margaret Harshaw, Astrid Varnay, Roberta Peters, New York Metropolitan Opera Chorus, Metropolitan Opera Orchestra, George Szell | E♭ Major | 4 | 5B | 78 BPM | ||
Hotel California | Graham Turner | D Major | 5 | 10B | 148 BPM | ||
Michelle | Mateo Farfan | F Minor | 2 | 4A | 105 BPM | ||
The Rake's Progress, Act I: I'll Call the Coachman, Sir | Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner | F Major | 3 | 7B | 72 BPM | ||
And I Love You So | Ladislav Vratil, Richard Hindls | B♭ Major | 0 | 6B | 143 BPM |