"La Bohème: Oh! - Essa! - Musetta!" by Giacomo Puccini, Carlo Bergonzi, Clifford Harvuot, Norman Scott, Mario Sereni, Lorenzo Alvary, Laurel Hurley, Licia Albanese, Thomas Schippers was released on January 21, 2011. The duration of La Bohème: Oh! - Essa! - Musetta! is about 3 minutes long, at 3:08. Based on our data, "La Bohème: Oh! - Essa! - Musetta!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Puccini: La Bohème (Metropolitan Opera)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. La Bohème: Oh! - Essa! - Musetta! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Oh! - Essa! - Musetta! by Giacomo Puccini, Carlo Bergonzi, Clifford Harvuot, Norman Scott, Mario Sereni, Lorenzo Alvary, Laurel Hurley, Licia Albanese, Thomas Schippers having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio Sinfonico | Giacomo Puccini, Hungarian Operetta Orchestra, Pier Giorgio Morandi | A Major | 0 | 11B | 59 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Madame Butterfly - Grosser Querschnitt: Mädchen, in deinen Augen liegt ein Zauber | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM |