On April 10, 2020, the song "Pièces de viole, Livre II No. 63: Les voix humaines" was released by Marin Marais, Vittorio Ghielmi, Luca Pianca. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marin Marais, Luca Pianca, Il Suonar Parlante Orchestra, Vittorio Ghielmi's "Le secret de Monsieur Marais" album is number 2 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Pièces de viole, Livre II No. 63: Les voix humaines is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Pièces de viole, Livre II No. 63: Les voix humaines by Marin Marais, Vittorio Ghielmi, Luca Pianca to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
suite d’un goût étranger: No. 3, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | D Major | 1 | 10B | 85 BPM | ||
Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy | William Lawes, Fretwork | A Minor | 1 | 8A | 79 BPM | ||
Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | ||
Le nymphe di Rheno, Op. 8: Suite in G Minor: II. Allegro - Adagio | Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer | F♯ Minor | 1 | 11A | 74 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Mandolin Concerto In C Major, RV 425: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM |