Riccardo Muti, Berliner Philharmoniker's 'Symphony No. 41 in C, 'Jupiter' K551: III. Minuet (Allegretto)' came out on November 12, 2007. With this song being about 5 minutes long, at 4:48, "Symphony No. 41 in C, 'Jupiter' K551: III. Minuet (Allegretto)" by Riccardo Muti, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #22. Based on our statistics, Symphony No. 41 in C, 'Jupiter' K551: III. Minuet (Allegretto)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 41 in C, 'Jupiter' K551: III. Minuet (Allegretto) by Riccardo Muti, Berliner Philharmoniker having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Dichter und Bauer: Ouvertüre | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 150 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
The Godfather: VI. A New Carpet (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | B♭ Minor | 1 | 3A | 142 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | E Minor | 3 | 9A | 88 BPM |