Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra's 'The Godfather: VI. A New Carpet (From "The Godfather, Pt. II")' came out on 1995. With The Godfather: VI. A New Carpet (From "The Godfather, Pt. II") being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rota: Music for Film". In this album, this song's track order is #6. Based on our statistics, The Godfather: VI. A New Carpet (From "The Godfather, Pt. II")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Godfather: VI. A New Carpet (From "The Godfather, Pt. II") by Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ev'ry Time I Look In Your Eyes/After The Party | Carmine Coppola | A♭ Major | 3 | 4B | 113 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Il Padrino II | Nino Rota | A Minor | 4 | 8A | 60 BPM | ||
Radetzky March, Op. 228: Radesky March | Johann Strauss I, Edmonton Symphony Orchestra, Uri Mayer | A Major | 3 | 11B | 114 BPM | ||
Las Calles de Sevilla | Fernando Velázquez | G Major | 3 | 9B | 48 BPM | ||
The Barn - Love Theme | Lucie Svehlová | D Minor | 3 | 7A | 65 BPM | ||
The Adventures of Robin Hood: Main Title - Muted Fanfare | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | E♭ Major | 3 | 5B | 124 BPM | ||
In The Piazza Signoria | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A Minor | 0 | 8A | 177 BPM | ||
Sally's Death - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM |