Heinrich Wilhelm Ernst, Kristóf Baráti's 'Le roi des aulnes, Op. 26 (after Schubert's Erlkonig)' came out on January 1, 2016. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Soul of Lady Harmsworth". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) by Heinrich Wilhelm Ernst, Kristóf Baráti having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Tchaikovsky: Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | D Major | 1 | 10B | 162 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
War And Peace, Op. 91: Natasha's And Andrei's Valse (Transcription For 2 Pianos By Sergei Babayan) | Sergei Prokofiev, Martha Argerich, Sergei Babayan | F♯ Minor | 1 | 11A | 74 BPM | ||
Paganini variations: Variation 15 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 4 | 8A | 148 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Remastered | Ludwig van Beethoven, Franz Liszt, Glenn Gould | C Minor | 4 | 5A | 94 BPM |