On November 25, 2013, the song "Paganini variations: Variation 15" was released by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda. With Paganini variations: Variation 15 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Laurent Korcia, Eugène Ysaÿe's "Mister Paganini" album is number 20 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, Paganini variations: Variation 15's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Paganini variations: Variation 15 by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.1 in F Major, Op. 18 No. 1: 2. Adagio affettuoso ed appassionato | Ludwig van Beethoven, Emerson String Quartet | D Minor | 1 | 7A | 128 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
La belle excentrique*: I. Marche franco-lunaire II. Valse du mysterieux baiser dans l'oeil III. Can-can Grand Mondain | Erik Satie, Gábor Eckhardt, Klara Kormendi | F Major | 2 | 7B | 147 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: I. Moderato | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | D Minor | 1 | 7A | 90 BPM | ||
Ysaye Sonata #3 | Sherban Lupu, Eugène Ysaÿe, - | A Minor | 3 | 8A | 107 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM |