William Christie made "Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano]" available on 1995. With Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano] being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #19. In terms of popularity, Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano] by William Christie having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" | Henry Purcell, The English Concert, Trevor Pinnock, Lynne Dawson, The English Concert Choir | D♭ Major | 1 | 3B | 86 BPM | ||
Purcell : King Arthur : Act 2 "Come, shepherds, lead up a lively measure" [Chorus] Hornpipe | William Christie | F Major | 2 | 7B | 85 BPM | ||
Missa "Assumpta Est Maria", H. 11: II. Kyrie I | Marc-Antoine Charpentier, Véronique Gens, William Christie, Bernard Deletré, Les Arts Florissants, Noemi Rime | D♭ Minor | 1 | 12A | 104 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Giulio Cesare in Egitto, HWV 17 / Atto terzo: No.39 Duetto "Caro, più amabile beltà" - Live | George Frideric Handel, Magdalena Kozená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 1 | 2B | 120 BPM | ||
Magnificat en sol mineur, RV 610: VI. Esurientes | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Le Concert Des Nations | A Major | 2 | 11B | 89 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Nisi Dominus (Psalm 126), R.608: 6. "Beatus vir" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | A Major | 0 | 11B | 70 BPM | ||
Les Indes galantes, Prologue, Scène 2: "Amants sûrs de plaire..." (Hébé) | Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 95 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: V. Daleth | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |