"Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care"" by Henry Purcell, The English Concert, Trevor Pinnock, Lynne Dawson, The English Concert Choir was released on January 1, 1989. With Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" by Henry Purcell, The English Concert, Trevor Pinnock, Lynne Dawson, The English Concert Choir having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Purcell: Dioclesian, Z. 627, Act 2: Ritornello and Trio. "To Mars Let 'em Raise" - Chorus. "Rejoice, Rejoice" & Ritornello | Henry Purcell, John Eliot Gardiner, Michael George, The Monteverdi Choir, Paul Elliott, Stephen Varcoe, English Baroque Soloists | B Major | 3 | 1B | 93 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Minor | 1 | 1A | 196 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM |