"Roses of Picardy (Song Intermezzo)" by Haydn Wood, Slovak Radio Symphony Orchestra, Ernest Tomlinson was released on April 1, 1997. Roses of Picardy (Song Intermezzo) is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. This song is part of Wood: Paris Suite / A May-Day Overture by Haydn Wood. The song's track number on the album is #7 out of 13 tracks. Roses of Picardy (Song Intermezzo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Roses of Picardy (Song Intermezzo) by Haydn Wood, Slovak Radio Symphony Orchestra, Ernest Tomlinson has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Roses of Picardy (Song Intermezzo) being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Shepherd's Song, Op. 16, No. 1 (arr. H. Wood) | Edward Elgar, Haydn Wood, Light Symphony Orchestra | D Major | 1 | 10B | 128 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Brooklets & Heights | Danke Timi Briggs | E♭ Major | 3 | 5B | 74 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM | ||
Elioghia 5 | Federico Longo | E Minor | 2 | 9A | 93 BPM |