Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen's 'Requiem in D Minor, K. 626: 5. Sanctus - Live' came out on January 1, 1999. The duration of Requiem in D Minor, K. 626: 5. Sanctus - Live is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Requiem in D Minor, K. 626: 5. Sanctus - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Karita Mattila, Sara Minguardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir's "Mozart: Requiem" album is number 11 out of 16. In terms of popularity, Requiem in D Minor, K. 626: 5. Sanctus - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: 5. Sanctus - Live by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Scheherazade, Op. 35: IV. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Requiem in D minor, K.626: Rex tremendae majestatis | Wolfgang Amadeus Mozart, Westminster Cathedral Choir, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | G Minor | 2 | 6A | 102 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
The Magic Flute, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Major | 2 | 9B | 112 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM |