Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker made "Kálmán: Die Csárdásfürstin, Act II: "Ja, ich weiss" - "Ich warte auf das grosse Wunder" - "Machen wir's den Schwalben nach"" available on 1900. With Kálmán: Die Csárdásfürstin, Act II: "Ja, ich weiss" - "Ich warte auf das grosse Wunder" - "Machen wir's den Schwalben nach" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Frank Fox, Werner Schmidt-Boelcke, Berliner Symphoniker, FFB-Orchester's "Kálmán: Gräfin Mariza & Die Csárdásfürstin - Highlights (Inspiration)" album is number 9 out of 36. On top of that, Germany appears to be the country where this track was created. Kálmán: Die Csárdásfürstin, Act II: "Ja, ich weiss" - "Ich warte auf das grosse Wunder" - "Machen wir's den Schwalben nach" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kálmán: Die Csárdásfürstin, Act II: "Ja, ich weiss" - "Ich warte auf das grosse Wunder" - "Machen wir's den Schwalben nach" by Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 4: No. 14, Volkslied, "Wir winden dir den Jungfernkranz" (Brautjungfern, Chorus, Agathe, Ännchen) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E♭ Major | 0 | 5B | 68 BPM | ||
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" | Emmerich Kálmán, Carl Millöcker, Vienna State Opera Orchestra, Vienna State Opera Chorus, Franz Bauer-Theussl, Karl Terkal | F Major | 4 | 7B | 97 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | F Major | 1 | 7B | 68 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM |