"Il ritorno d'Ulisse in patria: ACT I, Scene 3, "Fermino i sibili" (Nereidi)" by Claudio Monteverdi, René Jacobs, Francesca Congiu, Elisabeth Scholl, Christina Högman, Martina Bovet, Concerto Vocale was released on November 9, 1992. With Il ritorno d'Ulisse in patria: ACT I, Scene 3, "Fermino i sibili" (Nereidi) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Autechre, Ross from Friends, Heidy Brown, Claudio Monteverdi, René Jacobs, Concerto Vocale's "Monteverdi: Il ritorno d'Ulisse in patria" album is number 5 out of 32. In terms of popularity, Il ritorno d'Ulisse in patria: ACT I, Scene 3, "Fermino i sibili" (Nereidi) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il ritorno d'Ulisse in patria: ACT I, Scene 3, "Fermino i sibili" (Nereidi) by Claudio Monteverdi, René Jacobs, Francesca Congiu, Elisabeth Scholl, Christina Högman, Martina Bovet, Concerto Vocale to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) | Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 100 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM |