Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop made "Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): IV. Allegro alla marcia" available on August 1, 2005. With Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): IV. Allegro alla marcia being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Symphonies Nos. 1 and 2 / Lady in the Dark - Symphonic Nocturne by Kurt Weill, Marin Alsop. The song's track number on the album is #8 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): IV. Allegro alla marcia's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): IV. Allegro alla marcia by Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): IV. Allegro alla marcia being at 137 テンポ, the half-time would be 68 テンポ with a double-time of 274 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hino 395 - 3T Brass Band | 3T Brass | E♭ Major | 0 | 5B | 80 BPM | ||
8 Russian Folksongs, Op.58: 5. Legend of the Birds | Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | D Minor | 0 | 7A | 124 BPM | ||
Peach Blossom Crosses The River | Singapore Symphony Orchestra, Traditional | D Major | 2 | 10B | 130 BPM | ||
Suite from Fate of Sukhovey | Chary Nurymov, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 1 | 10B | 113 BPM | ||
Azur | Francois Fortin | B♭ Minor | 0 | 3A | 101 BPM | ||
Was mir behagt, BWV 208, "Hunt Cantata": Aria: Sheep may safely graze (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 91 BPM | ||
Dead March (From "Saul") | Capt. D.N. Taylor, The Band of H.M. Welsh Guards | E♭ Major | 6 | 5B | 126 BPM | ||
Raid On the White Tiger Regiment, Intermezzo of Act I | Guo Tai Gong, Ying Liu, Shou-Cheng Luo, Rui Yang, Shanghai Philharmonic Orchestra, Yong-ji Wang | C Minor | 1 | 5A | 124 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM | ||
Battle of Britain Suite: II. March Introduction - March and Siegfried Music | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |