Guo Tai Gong, Ying Liu, Shou-Cheng Luo, Rui Yang, Shanghai Philharmonic Orchestra, Yong-ji Wang made "Raid On the White Tiger Regiment, Intermezzo of Act I" available on January 1, 1994. With Raid On the White Tiger Regiment, Intermezzo of Act I being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guo Tai Gong, Yong-ji Wang, Shanghai Philharmonic Orchestra's "Gong: Raid On the White Tiger Regiment (Orchestral Highlights)" album is number 2 out of 25. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Raid On the White Tiger Regiment, Intermezzo of Act I's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Raid On the White Tiger Regiment, Intermezzo of Act I by Guo Tai Gong, Ying Liu, Shou-Cheng Luo, Rui Yang, Shanghai Philharmonic Orchestra, Yong-ji Wang to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No. 1 "Scapegoat": IV. Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: V. Variations J-L, Brass. L'istesso tempo - Vivace - Allegro pomposo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | E Major | 5 | 12B | 136 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
A. Scotto: Orchestral Set n.2 "Watermarks" (V) | Aurelio Scotto, Symphony Chamber Orchestra 2001 | D Major | 3 | 10B | 126 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | F♯ Minor | 1 | 11A | 84 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. for Orchestra by John Rutter) | Claude Debussy, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 72 BPM | ||
Circling Line | Ennio Morricone, Bruno Nicolai | G Minor | 4 | 6A | 104 BPM |