"Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile" by Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti was released on December 8, 2023. Since Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti's "Leiviskä: Orchestral Works, Vol. 1" album is number 2 out of 8. On top of that, Sweden appears to be the country where this track was created. Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile by Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Impromptu | Helvi Leiviskä, Linda Suolahti, Tiina Karakorpi | B Major | 0 | 1B | 94 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
Les comédiens (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Springtime Suite: Noonday Song | Eric Coates, BBC Concert Orchestra, John Wilson | G Major | 1 | 9B | 64 BPM | ||
Piano Quartet in A Major, Op. 1: II. Andante | Helvi Leiviskä, Irma Ruuskanen, Tuomas Haapanen, Martti Pajanne, Vili Pullinen | A Major | 2 | 11B | 78 BPM |