"Battle of Britain Suite: II. March Introduction - March and Siegfried Music" by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields was released on August 1, 1990. With this song being about 5 minutes long, at 5:29, "Battle of Britain Suite: II. March Introduction - March and Siegfried Music" by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Walton: Film Music, Vol. 2 by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #18 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Battle of Britain Suite: II. March Introduction - March and Siegfried Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Battle of Britain Suite: II. March Introduction - March and Siegfried Music by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Battle of Britain Suite: II. March Introduction - March and Siegfried Music being at 68 テンポ, the half-time would be 34 テンポ with a double-time of 136 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Facade: Tarantella | William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins | A♭ Minor | 1 | 1A | 67 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Henry V, A Shakespeare Scenario: Appendix I. Watkin's Ale | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
II. Passacaglia "Death of Falstaff" | William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Minor | 1 | 9A | 109 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM |