"Tosca, Atto I: "Recondita armonia"" by Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on September 11, 2015. The duration of Tosca, Atto I: "Recondita armonia" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tosca, Atto I: "Recondita armonia"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Nessun Dorma - The Puccini Album". In this album, this song's track order is #8. In terms of popularity, Tosca, Atto I: "Recondita armonia" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca, Atto I: "Recondita armonia" by Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" | Giacomo Puccini, Roberto Alagna, Simon Keenlyside, Roberto de Candia, Ildebrando D'Arcangelo, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Puccini: Tosca, Act 1: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Maurizio Muraro, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | A Minor | 2 | 8A | 166 BPM | ||
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
Turandot, Atto III: "Nessun Dorma" | Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 3 | 10B | 82 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM |