"Ebben? Ne andro lontano" by Alfredo Catalani, Eva Marton, Pinchas Steinberg was released on September 24, 1991. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Opera Goes to the Movies". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Ebben? Ne andro lontano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ebben? Ne andro lontano by Alfredo Catalani, Eva Marton, Pinchas Steinberg having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Pizzicato | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | G Major | 2 | 9B | 133 BPM | ||
Leoncavallo: Pagliacci, Act 1 Scene 4: "Recitar! Mentre preso dal delirio … Vesti la giubba" (Canio) | Ruggero Leoncavallo, Lovro Von Matacic, Coro Del Teatro Alla Scala Di Milano, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 95 BPM | ||
The Phantom Regiment | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | C Major | 10 | 8B | 140 BPM | ||
歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) | スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ | D Major | 1 | 10B | 80 BPM | ||
Don Giovanni / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips | G Major | 4 | 9B | 95 BPM | ||
La Wally - Quando a Sölden | Alfredo Catalani, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | E Minor | 2 | 9A | 164 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Le nozze di Figaro, K. 492, Act II: Voi che sapete | Wolfgang Amadeus Mozart, Elly Ameling, English Chamber Orchestra, Edo de Waart | B♭ Major | 2 | 6B | 111 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM |