Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus made "Carmina Burana / 3. Cour d'amours: "Veni, veni, venias"" available on January 1, 1985. With Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 3. Cour d'amours: "Veni, veni, venias"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" テンポ

With Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" by Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.

Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" キー

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.