"Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live" by Jacques Offenbach, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla was released on July 2, 2021. Since Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmonies des bois, Op. 76: 2. Jacqueline’s Tears (Arr. Cello & Orchestra) - Live by Jacques Offenbach, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Prelude II | Edmund Finnis, Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Elegie, Op. 24 (version for cello and orchestra) | Gabriel Fauré, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A♭ Major | 0 | 4B | 86 BPM | ||
Sicilienne (Arr. Dushkin & Harrell) | Maria Theresia von Paradis, Lynn Harrell, Bruno Canino | E♭ Major | 0 | 5B | 69 BPM | ||
Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Minor | 1 | 9A | 126 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Marko Ylönen, Arto Satukangas | B♭ Major | 0 | 6B | 86 BPM |