"Sicilienne (Arr. Dushkin & Harrell)" by Maria Theresia von Paradis, Lynn Harrell, Bruno Canino was released on April 18, 1990. The duration of Sicilienne (Arr. Dushkin & Harrell) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Sicilienne (Arr. Dushkin & Harrell)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Andante cantabile by Lynn Harrell, Bruno Canino. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sicilienne (Arr. Dushkin & Harrell) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sicilienne (Arr. Dushkin & Harrell) by Maria Theresia von Paradis, Lynn Harrell, Bruno Canino is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) | Johann Sebastian Bach, Khatia Buniatishvili | B♭ Major | 0 | 6B | 99 BPM | ||
Prélude, choral et fugue, M. 21: I. Prelude | César Franck, Murray Perahia | B Minor | 0 | 10A | 63 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8 (Arr. for Cello and Piano): I. Allegretto ben moderato | César Franck, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 86 BPM | ||
12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Murray Perahia | D Major | 0 | 10B | 102 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Spanish Dances, Op. 23: No. 6. Zapateado (arr. for viola and piano) | Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino | D Major | 2 | 10B | 130 BPM | ||
Suite for Cello Solo No.2 in D minor, BWV 1008: 4. Sarabande | Johann Sebastian Bach, Lynn Harrell | D Major | 1 | 10B | 119 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Vladimir Feltsman | D♭ Major | 0 | 3B | 83 BPM |