"6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio" by Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini was released on April 13, 2018. With 6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 1700, so we believe that "6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio" is a single. 6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio by Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro | Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri | D Minor | 2 | 7A | 105 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Sinfonia No. 10 in C Major: II. Andante | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 110 BPM | ||
Flute Sonata in E Minor, Op. 3, No. 3: IV. Giga | Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson | E♭ Minor | 1 | 2A | 131 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": II. Courante - Double | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Major | 2 | 3B | 135 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
No. 13 Pifa ("Pastoral Symphony") from The Messiah - Instrumental | George Frideric Handel, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy | B Major | 1 | 1B | 83 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM |