Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri made "12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro" available on January 1, 1993. The duration of 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Albioni, Torelli, Pergolesi, Vivaldi: Italian Baroque Violin Concertos by Ivan Zenaty, František Xaver Thuri, Ostrava Janáček Chamber Orchestra. In terms of popularity, 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro by Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Joris Van Den Hauwe, Salzburg Soloists, Luz Leskowitz | E♭ Major | 0 | 5B | 66 BPM | ||
Trio Sonata in G Minor: III. Largo | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 86 BPM | ||
12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Concerto for Oboe & Orchestra in C Major, K. 314/285d: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Ingo Goritzki, Polish Chamber Philharmonic & Wojciech Rajski, Wojciech Rajski, Polish Chamber Philharmonic | F Major | 1 | 7B | 79 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Galuppi: Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D Minor | 2 | 7A | 141 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 122 BPM |