Rolf Schweizer made "Die Flötenuhr, 1792: IX. Allegro moderato" available on 1991. With Die Flötenuhr, 1792: IX. Allegro moderato being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 13 out of 23. Based on our statistics, Die Flötenuhr, 1792: IX. Allegro moderato's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Die Flötenuhr, 1792: IX. Allegro moderato by Rolf Schweizer to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Ah Holy Jesu | Andrey Jackson | D Major | 1 | 10B | 138 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass) | Johann Rudolf Ahle, Concerto Palatino, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 76 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Requiem: Requiem: 6. Terzetto (S, A, B). Rex tremendae | Johann Christian Bach, Lenneke Ruiten, Ruth Sandhoff, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 2 | 5B | 97 BPM | ||
German Mass, D.872: Transubstantiation: Betrachtend deine Huld und Güte | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D Major | 0 | 10B | 124 BPM | ||
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM |