"The Well-Tempered Clavier, Book I: Prelude No. 4 in C-Sharp Minor, BWV 849" by Johann Sebastian Bach, Martin Stadtfeld was released on January 23, 2009. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 48 in Bach: The Well-Tempered Piano I by Johann Sebastian Bach, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier, Book I: Prelude No. 4 in C-Sharp Minor, BWV 849 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Well-Tempered Clavier, Book I: Prelude No. 4 in C-Sharp Minor, BWV 849 by Johann Sebastian Bach, Martin Stadtfeld is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles, D 969 (Op.77): Valse No.3 | Franz Schubert, Gil Shaham, Göran Söllscher | C Major | 1 | 8B | 82 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
English Suite No. 2 in A Minor, BWV 807: V. Bourrée | Johann Sebastian Bach, KaJeng Wong | D Major | 0 | 10B | 62 BPM | ||
Prelude and Fugue in G (WTK, Book I, No.15), BWV 860 | Johann Sebastian Bach, András Schiff | G Major | 3 | 9B | 90 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
7 Fantasies, Op. 116: No. 4, Intermezzo in E Major | Johannes Brahms, Emanuel Ax | E Major | 0 | 12B | 70 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM |