"Valses nobles, D 969 (Op.77): Valse No.3" by Franz Schubert, Gil Shaham, Göran Söllscher was released on January 1, 2002. The duration of Valses nobles, D 969 (Op.77): Valse No.3 is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Valses nobles, D 969 (Op.77): Valse No.3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Schubert: Schubert for Two". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Valses nobles, D 969 (Op.77): Valse No.3 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles, D 969 (Op.77): Valse No.3 by Franz Schubert, Gil Shaham, Göran Söllscher having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Pour le piano: III. Toccata. Vif | Claude Debussy, Alain Planès | D♭ Minor | 1 | 12A | 138 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Variations On A Theme By Paganini, Op.35 / Book 2: Variation XII: Un poco Andante | Johannes Brahms, Yuja Wang | F Major | 0 | 7B | 71 BPM |