"12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor" by Pyotr Ilyich Tchaikovsky, Ilona Prunyi was released on April 15, 1989. The duration of 12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor is about 3 minutes long, at 3:19. Based on our data, "12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Tchaikovsky: Seasons / Chanson Triste". In this album, this song's track order is #13. In terms of popularity, 12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor by Pyotr Ilyich Tchaikovsky, Ilona Prunyi having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Klavierstücke, D. 946: No. 2 in E-Flat Major. Allegretto | Franz Schubert, Alfred Brendel | E♭ Minor | 1 | 2A | 152 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Etudes-Tableaux, Op. 33, No. 4 in D Minor | Hélène Grimaud | D Minor | 2 | 7A | 94 BPM | ||
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version | Franz Liszt, Evgeny Kissin | A Major | 1 | 11B | 106 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 0 | 3A | 64 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM |