"Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano)" by Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz was released on August 12, 2016. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 15 in Friedman: Piano Transcriptions by Ignaz Friedman, Joseph Banowetz. Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
13 Préludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Boris Giltburg | B♭ Major | 0 | 6B | 66 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Dido and Aeneas, Z. 626 (Arr. for String Orchestra by Leopold Stokowski): When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 80 BPM | ||
Beethoven: Piano Sonata No. 11 in B-Flat Major, Op. 22: II. Adagio con molto espressione | Ludwig van Beethoven, Stephen Kovacevich | E♭ Major | 0 | 5B | 125 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Irish Tune from County Derry (Arr. Siloti) | Percy Grainger, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
String Quartet No. 19 in C Major, K. 465, "Dissonance": II. Andante cantabile | Wolfgang Amadeus Mozart, Eder Quartet | F♯ Minor | 0 | 11A | 68 BPM |