"Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live]" by Richard Wagner, Maria Callas, Africo Baldelli, Vittorio Gui, Orchestra di Roma della RAI was released on September 15, 2017. Since Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal (1950 - Rome) - Callas Live Remastered by Richard Wagner, Maria Callas. The song's track number on the album is #26 out of 40 tracks. Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live] by Richard Wagner, Maria Callas, Africo Baldelli, Vittorio Gui, Orchestra di Roma della RAI has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) [Live] being at 67 テンポ, the half-time would be 34 テンポ with a double-time of 134 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Symphony No. 8 In B Minor, D.759 - "Unfinished": II. Andante con moto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 0 | 12B | 82 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM |