On 1986, the song "Serenata from "Pulcinella"" was released by Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra. The duration of Serenata from "Pulcinella" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Serenata from "Pulcinella"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Romances For Saxophone". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Serenata from "Pulcinella"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Serenata from "Pulcinella" by Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 4 | 5B | 133 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Requiem Canticles: II. Exaudi | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 9 in D Minor, Op. 125: IVa. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 0 | 10B | 82 BPM | ||
The Rake's Progress: Act III Scene 1: Duet: You love him, seek to set him right… (Baba, Anne, Sellem, Chorus) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | B♭ Minor | 1 | 3A | 71 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM |