"Requiem Canticles: II. Exaudi" by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir was released on April 26, 2024. With Requiem Canticles: II. Exaudi being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir's "Jurowski conducts Stravinsky, Vol. 3 (Live)" album is number 9 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Requiem Canticles: II. Exaudi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem Canticles: II. Exaudi by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To Be Certain of the Dawn: Pt. II: Remembrance: Third Blessing (soprano, children's chorus) | Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä | F Minor | 0 | 4A | 171 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
L'Oiseau de feu: Mort de Kachtchei - Profonds ténèbres - 1910 version | Igor Stravinsky, Columbia Symphony Orchestra | B Major | 0 | 1B | 85 BPM | ||
Greatest Day (arr. J. Wikeley for choir) | Jason Orange, Chantage, James Davey | D♭ Major | 1 | 3B | 78 BPM | ||
Belshazzar's Feast: The trumpeters and pipers are silent | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | A Minor | 0 | 8A | 79 BPM | ||
Lamentations of Jeremiah I: III. Quomodo sedet sola civitas plena populo | Thomas Tallis, Owain Park, The Gesualdo Six | E♭ Minor | 1 | 2A | 90 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM |