"Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Elena Filipova was released on 1994. With Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #12 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Elena Filipova has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Massenet: Don Quichotte, Act 1: "Alza ! Quand la femme a vingt ans" (Dulcinée, Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
歌曲集《シェエラザード》: 第2曲: 魔法の笛 | Maurice Ravel, スーザン・グラハム, Saito Kinen Orchestra, Seiji Ozawa | F♯ Minor | 0 | 11A | 66 BPM | ||
Francesca da Rimini, Op. 4, Act III: Basta, Paolo! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija Jokovic, Aaron Judisch, Se Hun Jin, Opernchor des Theater Freiburg, Freiburger Kammerchor, Extrachor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
La Bohème: Sì. Mi chiamano Mimì | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Alberta Pellegrini | B♭ Major | 2 | 6B | 126 BPM | ||
Francesca da Rimini, Op. 4, Act I, Scene 11: Madonna Francesca! Su, Madonna Francesca (Biancofiore, Garsenda, Adonella, Altichiara, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Elena Filipova | D Minor | 2 | 7A | 89 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM |