"Francesca da Rimini, Op. 4, Act III: Basta, Paolo!" by Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija Jokovic, Aaron Judisch, Se Hun Jin, Opernchor des Theater Freiburg, Freiburger Kammerchor, Extrachor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act III: Basta, Paolo!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #14 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III: Basta, Paolo! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III: Basta, Paolo! by Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija Jokovic, Aaron Judisch, Se Hun Jin, Opernchor des Theater Freiburg, Freiburger Kammerchor, Extrachor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III: Basta, Paolo! being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Janos Kulka | D Major | 2 | 10B | 84 BPM | ||
Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova | D♭ Major | 2 | 3B | 123 BPM | ||
Les Pêcheurs de perles: Le ciel est bleu! (Fishermen, Nourabad, Nadir) | Georges Bizet, Jacques Mars, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
Otello: Esultate | Mario del Monaco | E Major | 3 | 12B | 169 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
Hornpipe - Transcr. for Strings of Handel's Concerto grosso Op. 6 No. 7 in B-Flat Major | Riccardo Zandonai, Spettro Armonico Chamber Orchestra, Simone Zuccatti | F Major | 1 | 7B | 78 BPM | ||
Francesca da Rimini: Act IV Scene 1: Era teco la tua moglie? (Malatestino, Gianciotto) | Riccardo Zandonai, Orchestra La Scala di Milano, Giampiero Malaspina, Piero de Palma, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 111 BPM | ||
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Don Carlo, Act II: Spuntato ecco il dì d'esultanza (Coro/Coro di Frati) | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM |