Wolfgang Sawallisch, Concertgebouworkest's 'Symphony No. 7 in A, Op.92: Allegro con brio' came out on 1992. Since Symphony No. 7 in A, Op.92: Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 17 in Beethoven: Symphonies Nos. 4 & 7, 5 & 6 by Wolfgang Sawallisch. Symphony No. 7 in A, Op.92: Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in A, Op.92: Allegro con brio by Wolfgang Sawallisch, Concertgebouworkest is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Hm! hm! hm! hm! (Papageno, Tamino, Damen) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | A Minor | 1 | 8A | 176 BPM | ||
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 1: No.11: "Baal, erhöre uns!" | Felix Mendelssohn, MDR Leipzig Radio Chorus, Gewandhausorchester, Wolfgang Sawallisch | D Major | 4 | 10B | 102 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 149 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM |