Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra's 'Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance' came out on October 13, 2000. With this song being about 5 minutes long, at 4:34, "Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance" by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg : Peer Gynt Suites 1, 2 & Symphonic Dances" album is number 6 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 1. Poco meno andante, ma molto tranquillo | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | D Major | 2 | 10B | 141 BPM | ||
Champagne Polka | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | C Major | 1 | 8B | 76 BPM |