"Champagne Polka" by Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky was released on January 1, 1998. The duration of Champagne Polka is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Champagne Polka's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky's "J. Strauss Jr.: Wiener Walzer" album is number 12 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Champagne Polka is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Champagne Polka by Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Philharmoniker Fanfare | Richard Strauss, Wiener Philharmoniker, Zubin Mehta | E♭ Major | 3 | 5B | 89 BPM | ||
Cachucha-Galopp, Op. 97 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 4 | 12B | 154 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Le Carnaval des Animaux: Tortues - L'Éléphant - Kangourous | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 0 | 6B | 133 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Mass No. 1 in D Minor, WAB 26: Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Las Castañuelas | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 3 | 7B | 141 BPM |